| Song | Artist | Year | Page | Intro / Turnaround | Melody | Lyric | Song Form | Hook / Riff | Repeats | Build | Dynamics | Groove / Feel | Energy | Mood | Lead Vocal | Harmony Voc. | Recording | Production Value | Overall Sound & Blend | Unusual Sounds | Relevant / Timely / Market Timing | Artist's Persona | Artist's Looks | Marketing / Promo |
| All Shook Up | Presley, Elvis | 1957 | Title | X | Swinging | X | X | |||||||||||||||||
| Venus | Avalon, Frankie | 1958 | Luxurious | X | X | X | Pretty Boy | |||||||||||||||||
| I Only Have Eyes For You | Flamingos, The | 1959 | Hypnotic | Dreamy | X | X | Big Reverb | |||||||||||||||||
| Will You Love Me Tomorrow | Shirelles, The | 1961 | Title Line | Familiar | X | X | Bright | X | ||||||||||||||||
| Do You Love Me | Contours, The | 1962 | Story | X | Raucous | Flat-out | X | |||||||||||||||||
| My Girl | Temptation, The | 1965 | Title Line | X | Jubilant | Relaxed | Orchestration | |||||||||||||||||
| Ahab The Arab | Stevens, Ray | 1962 | Absurd | X | Outrageous | Punchy | ||||||||||||||||||
| I Get Around | Beach Boys, The | 1964 | Story | X | Wild | High | X | X | ||||||||||||||||
| Oh, Pretty Woman | Orbison, Roy | 1964 | Guitar Hook | X | Controlled | X | Hard-edged | Mysterious | ||||||||||||||||
| Walk On By | Warwick, Dionne | 1964 | Title Line | X | High Contrast | Delicate | High | Classy Vocalist | ||||||||||||||||
| You Really Got Me | Kinks, The | 1964 | Title Line | X | Driving | High | Horny | |||||||||||||||||
| She's Not There | Zombies, The | 1964 | Chorus | Explosive | Desperate | Intimate | ||||||||||||||||||
| For Your Love | Yardbirds, The | 1965 | Nerve Shattering | Chorus / Title | X | Frantic | Violent | Harpsichord | ||||||||||||||||
| Needles and Pins | Searchers, The | 1964 | Story | Guitar | Steady | Pristine | Stratospheric | |||||||||||||||||
| Mrs. Brown, You've Got A Lovely Daughter | Herman's Hermits | 1965 | Vaudevillian | Story | Timid / Meek | Banjo | ||||||||||||||||||
| Wild Thing | Troggs, The | 1966 | Title | Scrotumnal | Endless | Raunchy | X | Sexual Liberation | 2 Record Labels! | |||||||||||||||
| Satisfaction | Rolling Stones, The | 1965 | Guitar Riff | Pounding | Urgent | Fuzztone | Nasty | |||||||||||||||||
| Sympathy For The Devil | Rolling Stones, The | 1968 | Story | Driving | Frenetic | Cynical | Wailing Banshees | Satanic Cults | Demonic | |||||||||||||||
| Midnight Rambler | Rolling Stones, The | 1969 | Title Line | Story | Threatening | Deceptive | Big Spaces | Serial Murderers | Amoral | |||||||||||||||
| Mr. Tamborine Man | Byrds, The | 1965 | Chorus | Guitar Riff | X | Hypnotized | Smooth / Glossy | Slick | Drug Culture Begins | |||||||||||||||
| Summer In The City | Lovin' Spoonful, The | 1966 | Several | Explosive | High | Frustrated | Punchy | |||||||||||||||||
| Happy Together | Turtles, The | 1967 | Chorus | X | Steady | Intimate | Big | High | Tight Mix | |||||||||||||||
| Light My Fire | Doors, The | 1967 | Jazzy Baroque | Title Line | X | Hedonistic | Big Reverb | Youth Rebellion / Summer of Love | ||||||||||||||||
| Respect | Franklin, Aretha | 1967 | Title | Determination | Emphatic | Civil Rights / Women's Lib | ||||||||||||||||||
| For What It's Worth | Buffalo Springfield | 1967 | Insecure | Chorus | Cautious | Uneasy | Youth Rebellion | |||||||||||||||||
| Sweet: Judy Blue Eyes | Crosby, Stills & Nash | 1969 | Chorus | Unusual | Changeable | High | X | Airy / Soaring | Media Campaign | |||||||||||||||
| Guinnevere | Crosby, Stills & Nash | 1969 | Delicate / Modal | Unusual | Wistful | Intimate | Floating | Lush | ||||||||||||||||
| Teach Your Children | CSN & Y | 1970 | Chorus | Simple | X | X | Back To Nature | |||||||||||||||||
| Proud Mary | Creedence CR | 1969 | Chorus | Story | Simple | Comfortable | X | Tight Mix | ||||||||||||||||
| Superstition | Wonder, Stevie | 1972 | Title Line | X | Wild | Funky | Ominous | Clavinets | ||||||||||||||||
| Kodachrome | Simon, Paul | 1973 | Chorus | Attitude | High | X | Pristine | |||||||||||||||||
| What's Love Got To Do With It | Turner, Tina | 1984 | Story | Creepy | Protective | Hard-edged | Marital Abuse | Survivor | Video | |||||||||||||||
| Every Time You Go Away | Young, Paul | 1985 | Title Line | Several | Tragic | Tearful | Big Spaces | |||||||||||||||||
| Automatic | Pointer Sisters, The | 1983 | X | Steady | Dance! | Weird | Shrill / Forceful | Tight, Bright Mix | ||||||||||||||||
| Every Breath You Take | Police, The | 1983 | Verse | Simple | X | Calm | Hypnotic | Crisp | ||||||||||||||||
| One Of These Nights | Eagles, The | 1975 | Intro | Creepy | X | Floating | Big Spaces | Bright / Smooth | Psychoanalysis | |||||||||||||||
| Lyin' Eyes | Eagles, The | 1975 | Title Line | Familiar | X | Plain | Floating | |||||||||||||||||
| Rosanna | Toto | 1982 | Title Line | Unusual | X | Explosive | Rolling | X | Thick / Intimate | Lush | Full / Midrangey | |||||||||||||
| Africa | Toto | 1982 | Title Line | Synthesizer | X | Afro-Oriental | X | Bright / Wailing | Big Spaces | Third World Concern | ||||||||||||||
| What A Fool Believes | Doobie Brothers, The | 1979 | Title Line | Synthesizer | Steady | Matter-of-Fact | Soaring | |||||||||||||||||
| Minute By Minute | Doobie Brothers, The | 1979 | Title Line | X | Relaxed | Contemplative | Tight / Intimate | X | ||||||||||||||||
| C'est La Vie | Nevil, Robbie | 1986 | Title Line | X | Latin-dance | Frustrated | Screaming | Punchy / Strident | ||||||||||||||||
| Billie Jean | Jackson, Michael | 1982 | Several | X | Frightened | Silky | Previous Work | Elaborate Video | ||||||||||||||||
| Thriller | Jackson, Michael | 1982 | Title Line | Bass Line | X | Forceful | X | Hollywood | Ghostly | Punchy | Elaborate Video | |||||||||||||
| Hey Nineteen | Steely Dan | 1980 | Chorus | X | Lazy | Pristine | X | Weirdoes | ||||||||||||||||
| Gaucho | Steely Dan | 1980 | Chorus | Unusual | X | Thick / Airy | Luxurious | Weirdoes | ||||||||||||||||
| Goodbye Look, The | Fagen, Donald | 1982 | Chorus | Caribbean | Pristine | |||||||||||||||||||
| I.G.Y. | Fagen, Donald | 1982 | Chorus | X | Lush / Airy | Stunning | Very High | |||||||||||||||||
| Hot Stuff | Summer, Donna | 1979 | Chorus | Title / Story | Several | X | Brazen | Shrieking | Sexual Liberation | |||||||||||||||
| Bad Girls | Summer, Donna | 1979 | Chorus | Title / Story | Several | X | Pitying | Breathy | Sexual Liberation | |||||||||||||||
| My Sharona | Knack, The | 1979 | Guitar Riff | X | Intense | High | Horny | |||||||||||||||||
| Hit Me With Your Best Shot | Benatar, Pat | 1980 | Title Line | X | Hard-edged | Bitchy | Women On Top | Dominatrix | ||||||||||||||||
| Sweet Dreams ... | Eurythmics | 1983 | Chorus | Synth Riff |