The Critics Joyously Respond...

We've been praised by many music and high-end audio journals, including:

 

 

 

Selected Reviews of Our Titles

 

BSD 110, BSD 114 & BSD 120

"Spot-on intonation, elegant phrasing - This is beautifully & airily recorded enchantment."

"If only orchestra conductors could touch the nerve centers of this music as effectively. Glorious!"

"The sonic quality of these CDs is superb - clean and pure. I treasure all three of these discs."

 

BSD 112

"I enjoyed every sonata. Mr. Hayden plays with considerable lilt and flexibility. The sound is clear and sonorous."

 

BSD 119

"A must have for devotees of the harp, recommended for all."

 

BSD 121

"Simply wonderful performances, remastered so well that these 1960s tapes sound as fresh as if they were made last week."

"Filled with Energy, Gusto and real Affection... Outstanding sound!"

"You will not hear finer recordings of these gems."

 

BSD 113 & BSD 125

"Oodles of instantly engaging tunes for pre-schoolers and early graders.  The whole  family will relish this funny and touching album."

 

BSD 123

"This is Musica Reservata at its most colorful - folksy, funny and unforgettable... proving once again that dancing is a vertical expression of a horizontal desire."

"Among the most vital, urgent playing of early music ever taped, lovingly remastered."

"Every evening, I listen to at least half this disc to 'make my day.' The music is infectious, the recording outstanding."

 

BSD 124

"Louis Halsey's Elizabethan Singers were the flagship London choir of the 60s.  Buy this reissue for its carols; buy it for the beauty of the recording; above all, buy it for the pristine sound of these wonderful performances." - Donald James

 

BSD 125

"Lively, delightful."

 

BSD 126

"A relaxed and intimate performance, filled with enthusiasm and enjoyment."

 

BSD 127

"I cannot find enough praise for the people at Boston Skyline.  This reissue will be a regular guest on my morning radio show."

"An excellent reminder of the glory that was the ASMF in the mid 70s."

 

BSD 128

"Steve Schuch is one of those rare, unspoiled artists who combines the finesse of  classical training with the vibrancy and spontaneity that is folk music."

"One of the best Celtic albums I've heard in 25 years of listening, it positively blew me away with sheer beauty. To repeat the important points: Steve Schuch.  Crossing the Waters.  Buy it."   -Les Berkeley

"A gentle, lively and engaging acoustic ensemble successfully blending Celtic, baroque and Gypsy traditions.  Steve Schuch is quite a sorcerer in his bewitching violin leads and solos."   -Rad Bennett

 

BSD 129

"George Wright - theatre organist par excellence - is an all-time pedal thumper.  To  hear him is to love his colorful, rhythmic playing."

"A stunning range of sounds from one man at a five-manual console."

 

BSD 130 & BSD 132

"Kirkpatrick demonstrates a mastery of touch that will impress the most fastidious of  modern harpsichord fanciers.  Excellent."

"A definitive reading by the undisputed master of Bachís keyboard works."

"This label is reissuing some of the most important recordings of the Early Music years, real gems."

 

BSD 131

"Beautifully phrased and rhythmically sparkling performances.  The sound of the  instrument triumphs over all.  Thoroughly captivating!"

"Ravishing!.. one of the most popular discs from the early days of LPs"

 

BSD 133 & BSD 136

"Miss Alain’s immense verve, spectacular virtuosity, and spirit are simply unmatched in any other recording."

"Musically, these performances surpass all the competition."

 

BSD 135

"Utterly amazing.  There is no denying the beauty, intensity and exquisitely refined  phrasing of these performances."

"No other clarinetist can match Mr. Kell's tone & emotion. The best of Kell!"

The Great Clarinet Quintets:  "Wonderfully played by Reginald Kell and the Fine Arts Quartet. Carefully remastered, these recordings have stood the test of time." -Tully Potter

 

BSD 137 & BSD 139

"Delightful, first rate performances. The recordings are out of this world."

"Music for five wind players isn’t encountered a great deal, but when played by the likes of the New York Woodwind Quintet, it makes for a very delightful experience." - Sefton Wiggs

 

BSD 138

"Reissues of two pioneering albums from the early 1970's originally on the Argo and L'Oiseau-Lyre labels. The state-of-the-art analogue masters have been brought to CD by Boston Skyline with great fidelity. What a glorious racket those crumhorns make!  3½ Stars"

Dance Music of the High Renaissance Vol. 2: "Fanciers of original instruments will have a field day with this collection. A lot of Fun... Faultless sound." - Don Vroon

"Truly excellent recordings."

"Dance Music of the High Renaissance Vol. 2 is my top stocking stuffer wish. Superbly remastered, these 76 minutes capture the true musical spirit of the Middle ages. But warning!... Santa might dance himself to death with this one." - David Cornell

 

BSD 140

"An undiscovered 1970s masterpiece. Hallam is gentle, innocent voice singing with all the purity and delight of Cat Stevens, James Taylor, Tom Rush.  Give this album a listen... you'll get excited about good music once again."  -Bruce Franks

"Kerry Hallam ist OK! His songs are fresh and spontaneous,  original and full of natural humor."

"Have you ever wondered what other music was being made in the era of Cat Stevens, James Taylor, Joni Mitchell, Loggins & Messina? With this undiscovered masterpiece from Boston Skyline Records we get a rare opportunity to travel back in time and visit for the first time a gentle, innocent voice singing with all the purity and delight of those other canonical figures. If you haven't been able to expand your 70's music library for lo these many years, give this album a listen. You'll get excited about music once again."

"I wish more classical labels would release an occasional folk album - like this lump of coal that's been lying around in the vaults for 25 years and now emerges a diamond. Hallam's guitar playing is as soothing as James Taylor's earlier arpeggios and his vocal timbre falls between Jim Croce and Don McLean. Wonderful storytelling for the child in all of us."

 

BSD 137, BSD 139 & BSD 141

"Boston Skyline has used the artists' first generation studio master tapes with the latest 20-bit digital technology, producing results that are quite thrilling and exhilarating - as if they had been recorded just yesterday. Even more important is the breadth of repertoire presented on Volumes 1-3. When one realizes the time when these pioneers were playing and recording, the more we must credit their bold, confident and daring efforts, their precision and boundless spirit for the veritable explosion of wind quintets that has followed."

"The performances have not lost their charm. I am pleased to see them reincarnated on CD in remastering sound that is good enough to stand with today's recording. The music is delightful. Wilder's music reveals an influence of jazz and popular song (Gershwin, Porter, Rogers & Hart, and the like), all composed with skill and wit."

An American and Paris, Best of N.Y. Woodwind Quintet Vol. 3:  "4-Stars. These performances contain some excellent playing... a spirited rendition of Poulenc’s popular Sextet."

"(Wilder’s three quintets) are inventive, stylish modern pieces, played here with obvious enthusiasm.  A joy."

 

BSD 142

"These performances are models of the spontaneous dialogue that is the heart of chamber music.  The players are among the century’s finest...  A worthy addition to the label’s "From the Vault" series."    - Joseph McLellan

Mozart: The Four Flute Quartets:  "Samuel Baron, a great flutist of the pre-Galway era, plays Mozart with verve and precision. A flawless reissue." - Olin Chism

 

BSD 143 & BSD 145

"The interpretations are excellent, with pleasing tempos that never seem rushed. Care has been taken with every aspect of these historic reissues, including the booklets."

"Schubert's Octet is opulent in its instrumentation. This performance is of symphonic proportions, depth and breadth, as well as unquestionable mastery and beauty of tone. Phrases are lingered over and textures are painted with a master's touch. The remastering is astounding with precious little tape hiss and no dropout problems. The bottom end is round and resonant and the top sweet and pure."

"One of the best new Schubert reissues is the New York/Fine Arts on Boston Skyline, a marvelous, exciting performance throughout, and one that's viewed as a classic by more than a few LP vets. Even so, this CD reissue’s chief attraction may well be the glorious realization of the Tenth String Quartet, recorded in 1962 but never previously released. Fans of the Chicago-based Fine Arts Quartet, take note!"

Schubert at 200: "Speaking of masters, this recording is full of them. The combined ensemble gracefully navigates the Octet and never allows the youthful String Quartet to become too heavy. Throughout the recording, each note is crystal clear."

 

BSD 144

"Two of Mozart's best-loved symphonies have a wonderful lightness and clarity of texture in these arrangements for chamber ensemble by Mozart’s' pupil and friend Johann Nepomuk Hummel. They are beautifully performed."

From a half page review titled: Mozart, in Hummel's Fluoroscope "These performances sound absolutely first-rate, and I commend them to you. The violin and cello playing (Carol Lieberman and Arthur Fiacco) and John Solum's work on the flute are all dead-on. Mr. Kroll has a patient musicality that creates energy without haste or distortion."

Mark Kroll (fortepiano) and The Parlor Philharmonic have finally begun to record Hummel's delightful miniatures of Mozart, Haydn, and Beethoven symphonies transcribed for chamber ensemble. These provide intimate insights into these symphonic documents.

"For audiophiles seeking something different, Boston Skyline has launched a new "World  Premiere Recordings" imprint, devoted to debuts of chamber transcriptions of well-known symphonic works. Mozart's Symphonies No.35 and 36, transcribed by Hummel are performed by Mark Kroll and The Parlor Philharmonic, and very jolly they are!"

Platte des Monats (Record of the Month) "Es wundert daher überhaupt nicht, daß das hier eine Weltklasse-Interpretation IST: Leicht und locker, herzerfrischend!"

 

BSD 146

Superlative performances filled with a ravishing warmth and lyricism. The sound is clean, focused and elegant."


 

BSD 147

"...one of Boston's most respected musicians, a superb organist whose playing is exciting, creative and always musical."

David Carrier delivered "a wonderful performance of 'The Wedge'."

"An extraordinary afternoon of musicianship. It was a priviledge to be present for such a performance." (N.C.S. performance)

"An assured performance notable for uncommon precision."



Back to our front page.